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General / Melody Assistant / Harmony Assistant / Can't find folder "GMDigit/" |
on: Oct 4th, 2022, 6:03pm |
| Started by PaulGBoulder@aim.c | Last post by PaulGBoulder@aim.c |
Receitly, on a newly formatted APFS case-sensitive partition,
I Installed macOS 12.6 (21G115) and used Migration Assistant
to migrate fron my Big Sur startup volume. Then
I installed melody_assistant_796c.dmg and melodyplayer_666c.dmg
How am I supposed to launch Assistant ane Player? I recall a
Myriad Manager, and I find one each deep within Assistant ane
Player. When I click on either, nothing happens. When I click
on Melody Assistant.app, I get an endlessly repeating alert:
The Program has encountered an error
Can't find folder "GMDigit/", please check
the application has all access rights.
Player behaves similarly, but if I click Continut several times
it finally launches.
In https://www.myriad-online.com/en/docs/faq/faqsoundbase.htm I find:
... This file is copied then unpacked in the "GMDigit" folder
of your preferences
Where should I find "your preferences?" In Mac language, I'd expect
"/Users/paulgilm/Preferences", where "paulgilm" is my User ID.
How can I configure Assistant and Player so that my option I can
open a general MIDI file I downloaded from the Internet with either
Melody Assistant or Melody Player?
Thanks,
Paul
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| 4 |
General / Melody Assistant / Harmony Assistant / Re: Couleur de l'ambitus |
on: Oct 1st, 2022, 4:46pm |
| Started by PaulL | Last post by PaulL |
on Sep 30th, 2022, 11:10pm, Oliveira wrote:| De todas formas, como ya he dicho; no importa el color que tenga el ámbitus en la pantalla en modo grabado, ya que al verlo en modo página (sin manijas) o al imprimir, siempre va a ser negro. |
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Como decimos en inglés, gracias por los favores pequeños.
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| 5 |
General / Melody Assistant / Harmony Assistant / Re: problèmes export/import MIDI |
on: Sep 30th, 2022, 10:51pm |
| Started by bbvv | Last post by Sylvain Machefert |
Si la finalité est de faire jouer le fichier MIDI par le clavier, j'imagine que tu les ré-importe pour voir ce qu'il se passe suite à un problème d'interprétation par le clavier, par exemple les nuances.
D'un clavier à l'autre un même son (par exemple "guitare") peut répondre différemment aux nuances.
Nuances = vélocités.
Sur un piano c'est la force avec laquelle on appuie sur une touche, sur une corde c'est la force avec laquelle on pince la corde.
À ne pas confondre avec le volume, qui est, plus ou moins, la distance entre l'auditeur et l'instrument.
On peut entendre un pianiste frapper comme un malade sur son piano, mais très loin, et un autre qui joue pianissimo en étant assis dans le fauteuil à côté du piano.
Si un instrument semble être joué trop fort, trop bourrin, tu peux modifier la "Base vélocité" en mettant une valeur négative (entre 0 et -127).
Si le jeu est bon mais juste un instrument est trop fort par rapport aux autres, il faut jouer sur le potard "Volume".
Ces 2 paramètres sont dans l'édition d'un instrument.
Ne pas hésiter à utiliser la table de mixage, la vue "scène" pour ajuster facilement volume et position stéréo.
En mixage audio d'un quartet de cordes, on va mettre souvent en évidence le(s) violon(s) en les rapprochant de la position stéréo gauche, alors que alto et violoncelle seront plus au centre. C'est une astuce pour bien faire sortir le son du violon, et compenser son faible volume comparé au violoncelle qui occupe plus de place.
Donc si tes imports servent à comprendre "pourquoi le clavier joue pas aussi bien qu'espéré les nuances", pas besoin d'importer tes .mid, mais il faut faire des essais de mixage.
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| 6 |
General / Other subjects
/ Principles for editing ancient scores |
on: Sep 30th, 2022, 10:33pm |
| Started by PaulL | Last post by PaulL |
I am working on producing HA scores of Gibbons' First Set of Madrigals and Motets. I have to say that this has been an interesting exercise. Gibbons wrote these pieces in parts, using black notes. (The printed edition I am working from was printed in 1612.) Figuring out the parts and integrating them into a single score is a lot like trying to work a crossword puzzle.
Figuring out the notes, rests, and their durations has not been difficult, and there are on-line resources that answered a couple of questions I had about that. There are, however, a couple of spots where I wish to indicate emendations I have decided to make, and I am not quite sure how they should be indicated in the score. I'd like to get it right, because I am considering sharing the files on IMSLP.
Some of my emendations are corrections of obvious errors, that I don't feel right about correcting "silently," and then there are a couple of spots where I feel the piece in question would be more euphonious if I applied or omitted an accidental to a certain note. The question is what liberties an editor can legitimately take, and what the principles are by which I should be guided. And also, how such emendations are customarily indicated in the score.
Can anyone recommend an on-line reference? My searches have not come up with anything useful. Or failing a link, a book that doesn't cost too much? (I can cope with French or English, and could even make my way through a text in Spanish, if necessary.)
Mille mercis en avance.
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